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Throughout history, during times of celebration and rebellion, music sent a powerful message and brought people together. The two lines typically have no connection with the other lyrically.Ĭonventional instruments are the flute, fiddle, harp, mandolin, bagpipe, bouzoukis, bodhran (Irish tambourine), and dulcimer. Irish music tells the story of the land and its people. Macaronic lyrics alternate between lines of English functioning as refrain and lines of a Celtic language. Irish ancestry can be characterized by family name or ancestral place, language, and even religion or historical customs. During a performance, the musician uses improvisation, normally with the bagpipes and harp, vocables, and macaronic lyrics. Those who identify as Irish or as having Irish ancestry usually refer to family lines that originate in Ireland, an island nation in the Atlantic ocean, off the coasts of England and Scotland. There was even a distinction between songs performed by men and those performed by women. Some purpose was behind every classic Celtic song: laments, lullabies, or work songs. "Sprung" rhythms are completely at will of the musician because they are written differently than they are performed. The rhythm is often compound, but some compositions are classified as non-mensural music without time signatures - most in the lament category. A "double tonic" is sometimes created in Celtic tonal music because the piece will advertise two chords equally and may cadence on a note contrary to the perceived home note. Typical modes are pentatonic modes, hexatonic modes, and heptatonic modes. Strophic form is common, which uses repeated verses or adds a refrain.
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T he harmony has a heterophonic texture having a group of musicians sing or play the same melody, but each will vary it in some manner. Wide intervals are another characteristic of both the melody and the harmony of Celtic music. The second inversion of chords is used so often that it is almost interchangaeble with the root position. The fourths and fifths are pronounced in chordal texture.
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The melody in Celtic music frequently uses parallel octaves it is also subject to variations or improvisations.